Mark Erelli – Mixtape  Self-Released -out Jan. 26 4 / 5   MA-based folkie Mark Erelli first came to our attention with his 2008 album of political discontent Delivered. It is, in short, a brilliant and beautiful album, and we’ve been following Erelli since. Mixtape is his new covers album pulled from thirteen years of performances at Cambridge, MA’s Club Passim spanning songs from The Grateful Dead to Neko Case and Arcade Fire. While we don’t often review covers albums, Mixtape is a welcome reprieve from our usual modus operandi. It’s nice to mix(tape) things up once in a while. Despite going from pop (“The Boys of Summer“) to aRead More →

Typhoon – Offerings Roll Call Records -out Jan. 12 3.5 / 5   We’ve thought greatly about this double-album fresh from Portland, OR’s Typhoon. There is one word that circles about our head like a persistent muse: Ambitious. There is no doubt here that Offerings, the third full-length studio offering (and the band’s first double-album) is the most ambitious album we’ve reviewed in our ten years of reviewing. This is exactly what we wanted to see from Typhoon, fresh off their brilliant White Lighter in 2013, one of our two 5 of 5 reviews on here. It’s a double album in three movements that plays off of aRead More →

Various Artists – 7″ for Planned Parenthood  A Dizzying Array of Artists -out now digitally, Nov. 17 for vinyl box set Can we state how important this is / 5 ?   First things first: 100% of the proceeds of sales go to Planned Parenthood. If you’re not aware of what Planned Parenthood is, they’re the most important provider of sexual health care in the US. They serve 2.4 million people a year, many and many of them in difficult financial situations (ie broke and working at Wal-Mart); and it’s estimated 1 in 5 women have visited a Planned Parenthood clinic in their lives. Planned ParenthoodRead More →

The New Pornographers – Whiteout Conditions Concord Records – out now 3.5 / 5 To understand our frustrations with the New Pornographers’ latest album, we’re going to have to summon two older ones of theirs. So, frustration: Whiteout Conditions, while perhaps one of their best albums in terms of performances, and in terms of musical ability, feels cluttered with too many sounds. Literally. It’s a fun album, yes, but perhaps one of the weakest in their 17-year repertoire. And while we tend to appreciate layering and depth of sound, we find a lot of these extra sonic bits to be extraneous. Let’s bring in that earlier albumRead More →

RG Lowe – Slow Time Western Vinyl – out now 4.5 / 5 This Austin, Texan pianist/guitarist, who is the fountainhead for the instrumental group Balmorhea, decided to take a trip through the 70s and 80s. Citing Prince, Paul Simon and Stevie Wonder, his previous ten years of work came through the vocal-less, introspective, quiet Balmorhea. Thus, one would assume RG Lowe would be entirely out of his element on a pop-rock album. But you know the saying about assumptions: turns out Slow Time, Lowe’s debut solo LP, is pure, unadulterated bliss. Coming seemingly out of nowhere, Lowe’s nine tracks here are some of the least self-conscious,Read More →

  “I Got A Song: A History of the Newport Folk Festival” by Rick Massimo Wesleyan Press – out tomorrow 4.5 / 5   We are a hard sell on reads, especially nonfiction. We are incredible biased. And we feel that Rick Massimo, formerly of Providence Journal fame, is one of perhaps two reporters we could imagine who’d put together such a fine history of our favorite festival. (The other being the oft-quoted Jim Gillis in this book, retired from The Newport Daily News.) This history is coming out tomorrow. It is as exhaustive as it gets: several sources, dozens of interviews, archival reviews, et ceteraRead More →

Imaad Wasif – Dzi Grey Market – out June 16 4 / 5 Imaad Wasif is the musician you haven’t heard of that you’ve already loved. As a former member of the Yeah Yeah Yeahs, he performed on Show Your Bones, their second full-length; he also co-wrote the soundtrack to Where The Wild Things Are with Karen O as well as toured with her and the crew. The Los Angeles-based pysch rocker is on his fourth full-length solo album, and perhaps like you, we’re surprised his name hasn’t jumped out at us sooner: now there’s no going back. Dzi, which takes its inspiration from IndianRead More →

Fleet Foxes – Crack-Up  Nonesuch Records – out June 16 3.5 / 5   Fleet Foxes can’t seem to get out from the shadow of their debut self-titled LP. But don’t despair: their third LP Crack-Up is still a solid offering from the Seattle-based “baroque pop” quintet. While Crack-Up doesn’t rely as heavily on the whiskey smooth harmonies unleashed in 2008’s Fleet Foxes, the latest release does something that we greatly appreciate from a band: Crack-Up experiments, it expands. Most of the waters the Foxes test are in terms of songwriting and composition, specifically with dynamics and unexpected musical progressions. While not as blissful and macabre as something like “White WinterRead More →

Larkin Grimm – Chasing an Illusion  Northern Spy Records – out June 16 2.5 / 5   We respect Alice Coltrane. We like Ornette Coleman. We love Pharoah Sanders. And New York City-based Larkin Grimm references them all on her latest full-length, Chasing an Illusion. But somehow, with all this free-form Jazz woven into Illusion, it’s not enough to get us to enjoy her ostensibly folk-ish album. We’re not saying one can’t work a little of Sanders’ magic into modern folk (or what remains of folk, here), but what Grimm has offered, while earnest and certainly adventurous, is actually fairly boring. Yes. We apologize for the unimaginative term,Read More →

Goodbye June – Magic Valley  Interscope Records – out now 4 / 5 Time for a bit of rock and roll. That must be the impetus behind this Nashville trio’s debut LP. Goodbye June, we must say, sounds like they’re already on their third or fourth album – Magic Valley is a polished piece of record right here. They’ve got cookers (“Good Side,” “Bamboozler”), quiet ones (“Darling”), and just generally a good chex-mix of rock singles. Musically, think of aggravated vocals taking a hint from Angus-Young, simplified, clear guitar hooks (perhaps also a la AC/DC), and singable choruses. All in all, a good time with GoodbyeRead More →