(L to R, copyright Jose Mandojana: Tim Wilson, Ryan Carbary, Tim Kim, Pete Wilson) It’s all acoustic. And with Ivan and Alyosha, that’s all they need: the foursome from Seattle take wing upon crisp guitars, soulful harmonies, and general good feeling. With some good press on their side, we’re feeling that their current Fathers Be Kind EP portends a similarly stunning debut full-length, due out early next year. Be sure to catch them in Allston, MA at Great Scott (11-30-11, doors at 9p), as it seems likely they’ll need to try their new material on the crowd. Tim Wilson and co. trek through the ruggedRead More →

For a little Rhode Island pair, Brown Bird is doing well. Having opened for fellow Providence Americana band The Low Anthem, Connecticut’s 26 year-old MorganEve Swain (left – just kidding!) and the 33 year-old Illinois native David Lamb (actual left) are, as they say, in it to win it. As part of Sunday’s lineup at the Newport Folk Festival (www.newportfolkfest.net – sorry, tickets are sold out!), the gritty, down-the-river folk duo will display their chops in anticipation of their new album, October’s “Salt for Salt,” on the Harbor Stage. But, if you’re really dying for a sense of Lamb’s emotive vocals (and Swain’s great backing),Read More →

Few could predict that an indie punk group from Oklahoma City would have such an innovative presence in the music world. At 49, Wayne Coyne (center) and his quartet of space-a-delic freaks, including bassist Michael Ivins (right) and drummers Steven Drozd (left) and Kliph Scurlock, have earned a Grammy, covered Pink Floyd’s “The Dark Side of the Moon” in its entirety, and toured relentlessly across the world. Currently on tour for their first double-album Embryonic (excluding Zaireeka, their 1997 four-album experiment), the self-deprecating Coyne delivers about the not-so-glamorous side of touring, as well as about future projects. And definitely feel free to check out theirRead More →

It’s not all black and white. (L to R) Trumpeter/banjoist Darby Cicci, singer Peter Silberman, and percussionist Michael Lerner express ennui in front of depressing wallpaper. Since last year’s breakout “Hospice,” everything has changed for Brooklyn-born quintet The Antlers. As a concept album about a relationship between a hospice worker and a dying cancer patient, “Hospice” has grown an unusual amount of support and a word-of-mouth fanbase seemingly from the aether. With an upcoming concert at Boston’s House of Blues (with the Editors, 2/18/10, $20-50, www.ticketmaster.com), headman/singer/multi-instrumentalist Peter Silberman found the time to discuss their unlikely album in a recent phone interview. MK: How hasRead More →