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Hello peeps,I don’t know if it’s all this extra work I’ve been doing, but I’m getting a monster headache. Don’t worry, I’ve got a few posts for next week (an interview, too), but I’ve been considering the following:No one emailed to write for me.How crazy is that!? Not only do you get the satisfaction of a job well done, but you don’t have to deal with W-2s and 1099s because, best of all, YOU DON’T GET PAID. It’s practically like getting paid in and of itself, except without the money. I bet you’re thinking about those forms now that it’s tax season.As far as theRead More →

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In: _CD Reviews 2010, _Four or More 2010, Album Reviews, Recommended
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Field Music – “Field Music (Measure)”Memphis Industries– out Feb. 164 / 5 Since the dawn of time have musicians attempted the double album: Led Zeppelin, Electric Light Orchestra, Donna Summer, The Flaming Lips. In many cases, there simply isn’t enough interesting material to flesh out the more or less 80 minute requirement to hit that magical mark. Now enter Field Music: the Sunderland, England trio’s attempt is no “Blonde on Blonde,” nor is it a “Use Your Illusion.” Thankfully, it hits a strong classic rock vibe, with a Queen-ish tinge to some of the harmonies, while some guitar licks (the title track “Measure”) could haveRead More →

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FM Belfast – “How to Make FriendsKimi– out Feb. 23.5 / 5 This pastel-colored debut from Icelandic FM Belfast launches with an electronica/ dance vibe. While most of us assume it is simply too cold to dance in Iceland (fooled again: you were thinking of misnamed Greenland), the foreign (mostly) four-piece swagger as if they owned the genre; “Frequency” struts a la Travolta, and “I Can Feel Love” makes even the cowbell hip. To compare to other recent albums in the genre, Yeah Yeah Yeah’s “It’s Blitz” and TV on the Radio’s “Dear Science” both upstage Belfast here especially on the post-production layering. But whileRead More →

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Toro y Moi – “Causers of This”Carpack Records-out Feb 22.5 / 5 The debut full-length album from Columbia, SC based Toro y Moi takes a more pop-oriented, Animal Collective flavor on electronica. The first few opening tracks, up to and including “Imprint After,” are interesting pastiches of electronic work, falsetto, and upbeat rhythms; while they don’t exactly make you want to get up and groove them hard, they still satisfy in a laid-back sort of way. At “Lissoms” and “False Shadow,” however, is where the spell seems to break: constant reverse and stop effects drown out the natural music that should flow from these songs.Read More →