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Nice slogan, yeah? You may have noticed some much-needed cleaning up on the links on the side; well, now you can navigate them much easier. We’re going to clean up the interviews a bit later on, but the most important thing to know is our Four or More link on the right over there: it’s our critically-acclaimed albums link, just on the side there. Why? So that you can sort through what we think you might like (musically speaking, anyway). It’s all the stuff that we still have on our ipod, right now, even. Except for about two of them.Hope y’all enjoy!-Mgmt.Read More →

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Paper Lions – My FriendsFountain Pop Records-out now3 / 5 Pop-foursome Paper Lions sing clear, straightforward pop on their sophomore full-length. Hailing from Belfast, Prince Edward Island, (that’s in Canada, in case you were wondering), their melodies are youthful, bright and polished, nostalgic and playful. It’s not just the polaroid that reminds us of a guitar-centric Vampire Weekend – they’re both pop lead by very clear male vocals. But we weren’t huge fans of Contra, nor of My Friends here because these songs simply aren’t dense enough, and don’t quite bring their subjects to a precise and memorable point. Let’s call that issue one. IssueRead More →

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Pure Bathing Culture – Moon TidesPartisan Records -out Aug. 202.5 / 5 It’s dream-pop the duo from Portland, OR makes here, and some of it ain’t that bad. It’s just that, that’s all we get. The beats feel unspectacular, the vocals are good but certainly not great, and the music on the whole doesn’t explore any new territory. From the point of view of “does this add something new to my collection,” Moon Tides is a disappointment. Take “Pendulum,” the lead single/opener from PBC’s debut full-length, and it’s got a great 80’s sway to it (in addition to a great chorus). But that’s roughly theRead More →

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Typhoon – “White Lighter”Roll Call Records-out Aug. 20 5 / 5 This is it; we’re calling it. The eleven-piece from Portland, OR get it right, gets it all right. Typhoon’s debut full-length, White Lighter is nothing less than a epic journey through love and death and everything in between: it is brilliant, truly brilliant, dynamic, engrossing. It is rock tuned to an orchestral feel, with horns, violins, everything they can muster in almost a dozen musicians; it is rock that doesn’t hold back, that goes on a journey with every song; it is rock in its highest form, vast, personal, operatic and yet humble. ItRead More →