Interview with Susan Cowsill
… is in the Newport Mercury this week. Pg. 12 has all the details. Check it out: www.newportmercury.com.Peace out!Read More →
… is in the Newport Mercury this week. Pg. 12 has all the details. Check it out: www.newportmercury.com.Peace out!Read More →
Slow Club – “Yeah, So”Moshi Moshi Records-out now!3 / 5 If every song from every band could be as intimate and quirky as “When I Go,” the opener from Slow Club’s debut, we’d be pleased as punch. The UK duo creeps into this track like a strange little She and Him, acoustic with a touch of sadness, and it comes off soaringly. But when the rest of Yeah, So picks up, the driving percussion and fevered pop energy aren’t enough to carry through (but still check out the story on “It Doesn’t Always Have to Be Beautiful”). Comparisons have been drawn between Slow Club andRead More →
Climber – “The Mystic”Sparklet Records-out Oct. 19 (DL available tomorrow)3.5 / 5 The Portland, OR outfit’s third release comes in the form of “The Mystic,” a psychedelic rock-suite not unlike something the Flaming Lips might put out. Opening is “The Simians Speak,” a sonically delightful tale that blends philosophy with – indeed – sign-language talking monkeys. Before you run out screaming, let us say this: the paired down psychedelia joined with a deep, meaningful statement (plus monkeys!) just plain works. Even without the apes are sonic and lyrical statements that you might expect from Pink Floyd (“Flying Cars”) and Brian Eno (“I Have Seen Everything”),Read More →
Sufjan Stevens – “The Age of Adz”Asthmatic Kitty-out Oct. 124 / 5 Perhaps a more appropriate title for Detroit-native Sufjan Steven’s latest album might be “Sufjan Battles the Pink Robots.” That is to say, there are certainly Flaming Lips-ish space-a-delic themes both lyrically and sonically throughout on his seventh full-length album (excluding Avalanche), and those attuned to Beck’s electronica will almost certainly enjoy themselves here. The downshot is that fans of his breakthrough album Illinois may find themselves surprised, and not always in a pleasant way, as to this new direction; stepping back, Stevens still provides an excellent sense of the pop dynamic, as wellRead More →
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