You guys heard that right: The Pains of Being Pure at Heart stream their new album before it comes out on the 29th. We’re excited, we’re giddy, we’re expecting a great album… but the connection is down right now. Nuts. Here’s where you can listen to “Belong“; let us know what you think (when it starts working)! Ciao ciao, -Mgmt. Edit: okay, so we found another, still official place for “Belong.” Enjoy!Read More →
The Honey Pies – “Think of England”Self-Released2.5 / 5 -out now The Austrailian punk (yes, not British) of The Honey Pies is much like any other punk: rough, agitated, and pretty bad (in a good way). Coming off like a punkish Strokes on their debut, The Honey Pies have some good things going for them: a rough, distorted sound, some grit, and that album cover. They also have some detractors, including that band name (my girlfriend thought they’d sound more like Ms. Deschanel). Their biggest detractor, however, is just a lack of song stickiness, that is to say, these songs come and go, and don’tRead More →
Noah and the Whale – “Last Night on Earth”Island Def Jam-out March 153.5 / 5 London’s pop quartet sends out an uplifting album rife with tender melodies, handclaps, and general cheeriness. Their third full-length, “Last Night on Earth,” cements Noah and the Whale’s ability to craft enjoyable choruses filled with bright instrumentation and a general upbeat attitude. Now, let’s be very clear: depressing is good. We like depressing. But that’s not to say Noah and the Whale hasn’t done a fantastic job on “L.I.F.E.G.O.E.S.O.N.,” the clear single here, as well as on the rest of the album. That track, on which one of the charactersRead More →
The Seedy Seeds – “Verb Noun”-out now3/ 5 Cincinnati’s electro-pop trio The Seedy Seeds know how to make good music. Check out the dense “Ethel” or “Nomenclature,” a soothing, harmony-laden chill-back-and-sway-to-it song. Then why aren’t we recommending this particular album? Excellent question: as a whole, “Verb Noun” falls a bit short of the expectations built up in the first three tracks. “Hey Exponent,” an instrumental track, is bland as a biscuit, and the title track, despite it’s NPR accolades, isn’t all that special. Why not special, then? Another excellent question; gut instinct. Perhaps it’s the lack of vocal variation and a need for just aRead More →