White Denim – “D”Downtown-out now4 / 5 We never realized how much we loved White Denim’s previous “Fits”; their wild, rambunctious sense of punk and pop ignites like a wildfire. And here, on D, there is a sense that some of the fire has died down a bit: no worries, though, because the wild half-yelling has been replaced with thoroughly impressive instrumentals. Think of it more as an exchange: the jarring punk aspects have matured into a more melodic, more assured sense of song structure. You will like this album, that much is sure; but will you love it, will you devote your waking momentsRead More →

The Civil Wars – Barton HollowSensibility Music-out now4 / 5 There is little as refreshing as an intimate male/female duet; Swell Season knows it, and Fleetwood Mac certainly knew it. Joy Williams and John Paul White must sense something special in their debut studio LP, because without flash and without pomp, we can say “Barton Hollow” is a delightful, gorgeous slice of Americana. Their romantic tracks here are pared down, sporting rhythmic guitar and sometimes banjo/piano, because who wants to hear anything else when the vocals are so soothing and beautiful? We dig the title track especially, but there’s nary a weak one here, whichRead More →

Fleet Foxes – “Helplessness Blues”Sub Pop -out May 34.5 / 5 As one of the most anticipated albums of the (indie) year, the Fleet Foxes have their work cut out for them. Having delayed the release of Helplessness Blues since announcing the sophomore album last year, critics and fans alike have been wondering: is this second release going to be as brilliant and polished pop-perfect as their self-titled debut? The answer to that question, is this: Helplessness Blues is good. Quite good. Rife with their celestial male harmonies (which are most of the show) and clean, classic guitar, Helplessness Blues will repay fans itching forRead More →

Al Di Meola – “Elegant Gypsy”1977 Jazz fusion in the 70s was rife with guitar talent. John McLaughlin, Pat Metheny, and this guy (see glasses, left). Di Meola is a one-man band, and on Elegant Gypsy, he showcases his out-and-out rock-jazz style, never rushed, and chock-a-block with insane Yngwie Malmsteen-speed guitar riffs. This man’s talent makes us sick. So does his shredding (“Race with the Devil on Spanish Highway”) and, you’d’ve never guessed it, acoustic duet with Paco de Lucia on “Lady of Rome, Sister of Brazil.” At this point in his career, Di Meola had come off the breakup of star-studded Return to Forever,Read More →