McCoy Tyner – “The Real McCoy”1967 Straight jazz never had it so good. As John Coltrane’s pianist on A Love Supreme, Tyner’s career was only just getting started. Here he’s assembled the rhythm section that drove A Love Supreme, with a cooking Elvin Jones on percussion, fiery saxophonist Joe Henderson, and, of course, the legendary Ron Carter. The man who’s appeared on more classic jazz albums than, jeesh, we can’t really count (excepting maybe Paul Chambers). The opener, “Passion Dance”: awesome. The closer, “Blues on the Corner”: likewise awesome. Everything’s incredible about this album, including even the logo (attention Blue Note, send a shirt thisRead More →

Chick Corea – “Light as a Feather”1972 Coming across this album in college was like a heaven-send; “Spain” is one of his best compositions, in humble opinion, and Flora Purim’s vocals give a summery, blistery fire to “500 Miles High” and the album as a whole. Stanley Clarke’s bass blows away the competition, giving the kind of performance that even Jaco Pastorius’ fans would be envious of about five years later. And while everything’s excellent about Light as a Feather, truly, it is the main man, the piano man who shines: Chick Corea’s sheer virtuosity and unwavering brilliance on electric piano is what makes him,Read More →

John Coltrane – A Love Supreme1964 The granddaddy of all modern jazz albums, we’ve decided to start the jazz retrospection with A Love Supreme. There is no reason not to own this album: it is a classic, the classic, and just owning it makes you more interesting. As Coltrane’s musical meditations on God, the master saxophonist started musing on math and the sciences, and here you can hear the sum product of all those mental wonderings and wanderings. It’s grand, eye-(or ear-) opening music that challenges the very reason that music is played. That said, A Love Supreme is complex, brilliant, too, and not easyRead More →

Panda Bear – “Tomboy”Paw Tracks-out tomorrow4 / 5 It’s here. It’s finally here. After Animal Collective’s incredible Merriweather Post Pavilion, the much awaited solo album from AC frontmant Panda Bear (aka Noah Lennox) has finally come to the masses. If you’ve kept up with the creation of Tomboy, the tracks here have been released on separate singles, though this LP offers different versions of the tracks. First impression: this is going to take some getting used to. Just like MPP, the denseness of this album is something of an acquired taste, and P Bear doesn’t give much ground. Around listen 3-4 is when you finallyRead More →