Charles Bradley – “Victim of Love”Daptone Records-out April 24 / 5 You probably spotted him right away on the cover: yes, you’re absolutely right. The fantastic Brooklyn-based soul singer indeed does take his cues from James Brown. A former cover singer of the songs of the famous “Hardest Working Man in Show Business,” Bradley officially started his career at 62, and on this, his second full-length album, you get it: all the grit, all the passion, all the wear and tear and heart. In fact, you get soul. And that’s not an easy thing to do. Daptone, also the home of the famous Sharon Jones,Read More →

Wire – “Change Becomes Us”Pink Flag-out March 261.5 / 5 Thirteen is an unlucky number for London punk rock quartet Wire, for in the thirty-six years of their musical career, they come off really flat. Their songs have stopped exploring, some of them mid-way, and the band has deposited some almost song-snippets here as a challenge of whether to their listeners as to whether they still need to keep innovating. On Change Becomes Us, they do, and they haven’t. Their latest studio album is tired, dragging its feet to uninspired beats, each note old and depressed from what must be a carload of recycled drumRead More →

Swallow Key – “Ghost Dancer”White Wulf Records-out now2 / 5 In true San Fran tradition Swallow Key (the work of one Robert Eujene Ogden) is an eclectic, unusual electronica band part world music and part groove beats. The sophomore album, Ghost Dancer, employs everything from the sitar to the xylophone to samples from George W. Bush. It’s ambitious music, yes, the kind that attempts to invade your cerebellum and still get you to boogie coolly to it, but in the end, we’re left a bit cold; the music comes off too art bratty, too over-the-top and out-of-the-ballpark for our tastes. It’s one of those albumsRead More →

Low – “The Invisible Way”Sub Pop-out March 194 / 5 The Duluth, MN trio has been around twenty years; and on this, their tenth album, it’s easy to assume some sort of dulling in their craft. How often does a band keep itself around for two decades and keep itself fresh? While we cannot speak the whole of Low’s discography, The Invisible Way, their latest release, is a slow, melancholy, mature album, aged like a glass of wine. It lets on like a funeral dirge with moments of bare sunlight shining through; it passes like a sad man on the streets, quiet and memorable. ItRead More →